Like all popular music, jazz is associated with strong personalities. International recognition of accordionist Vincent Peirani rests on that essential, fundamental quality. His musical charisma, his very distinctive creative skills, his unique approach to his art – all of which are the fruit of a very open, unblinkered attitude – strike the listener immediately.
After brilliant studies in classical music (many international awards), his dive into the world of jazz received the seal of success from the start and was crowned at the Victoires du Jazz in 2014 (“Revelation”) and 2015 (“Artist of the Year”). Vincent Peirani has the ability to turn everything he touches into gold: in jazz, of course (his own projects, but also collaborations with Daniel Humair, Michel Portal, and others), but also in chanson (Sanseverino, Les Yeux Noirs), film music (composer for Mathieu Almaric’s Barbara in 2017), and so on. Whatever the style, the public follows: in his performances, he creates a balance between the relatively straightforward (inventive revivals of well-known themes) and a blessed unexpectedness, with art music and popular music very close to each other, a sign of great artistry.
The man who, ten years ago, completely renewed the language of the accordion (and continues to do so) has become a major artist, whose uninhibited, cosmopolitan view of music and sense of instrumental combination and colour, enable him to bring that rare and precious magical touch to everything he does.